Emptied of its body, the ” warrior drawer “‘s ammunition belt is a disturbing fortuitous tribute to Charlie Hebdo. Initially conceived as a logical follow-up to the performance-installation Hannoun (2009), recycling the remains of the pencils used by the artist to manually cover the floor of a 24 square metre room with chips, this assemblage of objects was completed two days before the massacre, committed by the Kouachi brothers at the editorial headquarters of the Parisian newspaper.